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Shorthorn photographer Casey Holder wrote:

Head coach Scott Cross, center, supervises his staff doing defensive drills with the Men’s basketball team. The team started practice Monday for the upcoming season in the Western Athletic Conference. 

A lot of times when shooting sports we think to focus solely on the action. Get the guy with the ball, follow him with the camera, and capture his every move until something good happens. We sometimes forget that we actually need to take a [moment] to step back and think about the overall composition.
In this shot Casey used his photographer’s eye and found a great framing opportunity. Not only do you get the head coach in the center watching over the coaching staff and players running drills, but there’s also a hierarchy. The head coach is the sole person in the center. You get his coaching staff right under him working with the players that are underneath them.
It’s interesting when you think about it. Whether intentional or not it creates a great photo that goes deeper than just the action.

Shorthorn photographer Casey Holder wrote:

Head coach Scott Cross, center, supervises his staff doing defensive drills with the Men’s basketball team. The team started practice Monday for the upcoming season in the Western Athletic Conference. 

A lot of times when shooting sports we think to focus solely on the action. Get the guy with the ball, follow him with the camera, and capture his every move until something good happens. We sometimes forget that we actually need to take a [moment] to step back and think about the overall composition.

In this shot Casey used his photographer’s eye and found a great framing opportunity. Not only do you get the head coach in the center watching over the coaching staff and players running drills, but there’s also a hierarchy. The head coach is the sole person in the center. You get his coaching staff right under him working with the players that are underneath them.

It’s interesting when you think about it. Whether intentional or not it creates a great photo that goes deeper than just the action.

(Source: theshorthorn.com)


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Shorthorn photographer Ashley Bradley wrote,

Alumnus Riyad Elmasri will bring some of his art to the Downtown Front and Center on Saturday and will also play music. Though he tries to make money off of both his talents, he said it’s more about the craft.

Bradley photographed Riyad Elmasri as part of her features story over the Downtown Front and Center festival in Arlington.  Elmasri, an artist that creates sculptures with welding, had a several of his works throughout his backyard.  
“Originally I asked him if I could take a pictures of some of him with his artwork and also with his instruments but when I passed by this piece I really liked it and asked him if he could climb in there.  I didn’t really like the picture at first, but by playing around with the settings on the camera, upping the ISO and changing the aperture, I was able to get the lighting how I wanted it,” said Bradley.
By putting Elmasri inside the sculpture Bradley was able to create a natural frame within the frame of the photograph.  This draws the viewer into the photograph and gives it more depth and intrigue.  The late afternoon light cascading down one side of his face made the image higher in contrast and more dramatic.
Check out the full story and more photographs.

Shorthorn photographer Ashley Bradley wrote,

Alumnus Riyad Elmasri will bring some of his art to the Downtown Front and Center on Saturday and will also play music. Though he tries to make money off of both his talents, he said it’s more about the craft.

Bradley photographed Riyad Elmasri as part of her features story over the Downtown Front and Center festival in Arlington.  Elmasri, an artist that creates sculptures with welding, had a several of his works throughout his backyard.  

“Originally I asked him if I could take a pictures of some of him with his artwork and also with his instruments but when I passed by this piece I really liked it and asked him if he could climb in there.  I didn’t really like the picture at first, but by playing around with the settings on the camera, upping the ISO and changing the aperture, I was able to get the lighting how I wanted it,” said Bradley.

By putting Elmasri inside the sculpture Bradley was able to create a natural frame within the frame of the photograph.  This draws the viewer into the photograph and gives it more depth and intrigue.  The late afternoon light cascading down one side of his face made the image higher in contrast and more dramatic.

Check out the full story and more photographs.